Understanding Art in Antwerp : Classicising the Popular, Popularising the Classic (1540-1580)

Understanding Art in Antwerp : Classicising the Popular, Popularising the Classic (1540-1580)

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Author: none
Published Date: 31 Dec 2011
Publisher: Peeters Publishers
Language: English
Format: Hardback::342 pages
ISBN10: 9042926139
Imprint: none
File size: 49 Mb
Filename: understanding-art-in-antwerp-classicising-the-popular-popularising-the-classic-(1540-1580).pdf
Dimension: 165.1x 246.38x 25.4mm::703.07g
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Belgium - Belgium - Cultural life: Belgium's long and rich cultural and artistic and Antwerp, while Hainaut remains the centre of the classical and popular
In 1561, philosopher and artist Dirck Volkertsz. And the impossibility to understand each other across language boundaries. In B. Ramakers (Ed.), Understanding Art in Antwerp: Classicising the Popular, Popularising the Classic (1540 1580) (Leuven: Peeters, 2011), xxii; Ramakers, 'As Many Lands'.
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Antwerp is a city in Belgium, and is the capital of Antwerp province in Flanders. With a It contains the remains of numerous famous nobles, among them a major part of the family of Rubens. Antwerp had an artistic reputation in the 17th century, based on its school of painting, which included Rubens, Van Dyck,
Understanding Art in Antwerp, 1540-1580: Classicizing the popular, popularizing the classics conference about the way art was understood by others and itself
Ramakers 2011. B. Ramakers (ed.), Understanding art in Antwerp. Classicising the popular, popularising the classic (1540-1580), Leuven 2011. Richardot 1567.
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Joris Hoefnagel's Artistic Interaction with the Habsburg Kunstkammer, 13 Bart Ramakers, ed., Understanding Art in Antwerp: Classicising the Popular, Popularising the Classic. (1540-1580) (Leuven, Paris, and Walpole, MA: Peeters, 2011). Above, our understanding of the artist and his place within Central European
Already one month later the Antwerp printer Jan van Ghelen followed with an The learned Erasmus, very rich in understanding, A new Cicero in his large public audiences or smaller groups depending on the artistic format or genre. Classicising the Popular, Popularising the Classic (1540 1580),
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In 1585, the famous Antwerp schoolmaster Peeter Heyns fled from his hometown. Those involved, at that time, to understand and accept the reasons for the exile.17 In his Three case studies of translocal communities', in: The journal of Arts Classicising the popular, popularising the classic (1540-1580), Leuven.
and 1933, reconstructed Jan de Beer's oeuvre and reintroduced the artist to the history Antwerp and Antiquity, in Understanding Art in Antwerp: Classicising the Antwerp: Classicising the Popular, Popularising the Classic (1540 1580),
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